Bio
I received my B.S. in Industrial Design, concentrating in Product Design, and eventually a Studio Art Minor from Appalachian State University. While in undergrad, I learned that parts of industrial design didn’t mesh well with my interests, and others did, which was very rewarding. It wasn’t until my last semester, when I took my first metalsmithing class, that I embarked on a new path of discovery. I went down a rabbit hole for the next two years, taking all the metalsmithing courses offered at App State and learning what being a part of the metalsmithing community was like. Since then, I have been fortunate to have work shown in a handful of exhibitions and been able to take a few workshops at craft schools.
Artist’s Statement
In my work, I am interested in merging my previous studies in Industrial Design with metalsmithing to create bespoke objects that facilitate meaningful interactions between the maker and the user through tangible experiences. Within metalsmithing, I have come to love the little instances of magic from getting lost in the simple process of sawing through 16-gauge brass to bending copper sheet over a forming stake to creating a beautiful form. Each new object made culminates these ephemeral moments, making metalsmithing even more gratifying as a maker.
Influences/ Inspirations
I have a soft spot for the early to mid-19th century automotive industry, particularly in examining the designs, from aerodynamic forms to the color palettes, which featured bold, striking colors accented by chrome. On the other hand, I am also drawn to the whimsical nature of earlier art movements inspired by nature, such as Art Nouveau.
I have early memories of visiting my grandparents' houses and antique stores, where I saw all the various objects that lined the walls and shelves. These objects held a special place in someone’s heart, whether for their pure functionality or because of an experience that had become a treasured memory.
Objects are tangible witnesses to time and, in turn, are the keepers of memories that inevitably fade over time. Although time is not forgiving, I appreciate that some objects have continued to endure and that people cherish items from the past that they continue to hold dear. As a maker, I hope my work will connect with others, even if only a little bit.